The style of music recorded by Toth and his many incarnations has drawn on a variety of both conventional and experimental folk and rock influences, including psych folk, acid folk, freak folk, free folk, and indie. Though he was a significant player in the New Weird America trend of the early- to mid-2000s (decade) along with Devendra Banhart, Akron/Family, Joanna Newsom, and collaborators The Vanishing Voice, Toth has been difficult to pigeonhole in one genre; recent releases have been identified as acid folk, free jazz, outlaw country, and country-tinged rock. Toth has appeared on such labels as Kill Rock Stars, Ecstatic Peace!, Rykodisc, and Young God.
Farmer’s Corner is an album about labor and its rewards, about wanderlust and rootlessness, about memory and regret, yet for most of its fifty minutes, its mood is affable and laidback—as though Toth wants to make it all look easy. – Pitchfork
