VALERIE JUNE

Friday 4 July 2014 2014

Support: Mattanja Joy BradleyIf Valerie June had been a roots artist in America 80 years ago, and she often sings as if she was, she might have been a principle influence on today's myriad retro troubadours, hers a stunningly emotive amalgamation of blues, folk, gospel, soul, Appalachian and bluegrass (including irresistible banjo).

Roots
archive
  • Kleine zaal
  • 17:30
  • 18:00
Newsletter

Moonshine music
Valerie June makes self-styled “organic moonshine roots music”, music for the porch parties of today, a party where she strums her guitar, plucks her banjo, opens her mouth and delta-blues-country stridently sashays out, a stunning peal somewhere between Dolly Parton and Billie Holiday. Valerie June’s voice sounding, somehow, both as old and wise as mother nature and as playfully naïve as a schoolgirl skipping home.


Self-taught musician
A self-taught musician, singer and song-writer from small-town Humboldt, Tennessee, she honed her astonishing sound in the vibrant Memphis atmosphere, her spectrum of influences the history of music itself: Elizabeth Cotten, Leadbelly, The Carter Family, Whitney Houston, Van Morrison, Dolly Parton, Roscoe Holcomb, Woody Guthrie, Nico, Junior Kimbrough, Nina Simone, Bob Dylan, The Beatles…


BF with Dan Auerbach
Pushin’ Against A Stone, released on Rob da Bank’s stellar boutique label Sunday Best, was mostly recorded at The Black Key’s Easy Eye studio in Nashville. Produced by Dan Auerbach (The Black Keys) and Kevin Augunas (Edward Sharpe & The Magnetic Zeros, Florence & The Machine) it’s a sonic postcard from the universe, where the atoms of history live.