THOMAS AZIER – PAARD360

THOMAS AZIER plays PANORAMA

Thursday 7 May 2026

Thomas Azier is a dutch composer, producer, singer and performer. His first album Hylas was released during his Berlin years on his eponymous label. He has received two Edison Awards, the Deutsche Schallplatenkritik for Rouge and a Berlin music video award for Verwandlung. Over the course of the last 12 years Thomas Azier released 6 albums, consistently shaping the contours of his unique take on pop music.

Thomas has played over 500 concerts and festivals such as Lowlands, Best Kept Secret, Eurockéennes & Montreal Jazz. In recent years Thomas has collaborated widely with European musicians across a myriad of genres, such as experimental noise, film music, classical, opera, and jazz, creating an artistic signature marked by unprecedented and captivating experiences.

His influence on the European pop scene is also made visible by his work as a writer and producer for artists likeStromae, Faber, Hang Youth and Anouk. With PANORAMA, Thomas Azier enters a new artistic chapter, one in which music becomes a cinematic lens, refracted into countless viewpoints, offering a world both fractured and whole.

360 logo zwart

Architect Rem Koolhaas designed a modular concert hall for the Great Hall, in which the balconies are retractable. This allows the stage to be placed in the middle of the hall, creating a unique setting: an arena in which performers are the centrepiece, surrounded by the balconies. This makes for an intimate, unique and exciting experience. During these concerts and club nights, the audience stands 360° around the stage, offering a totally new experience of our iconic venue. PAARD360° is the Great Hall’s best-kept secret.

onsale 20/11
  • €29,50
  • Grolsch Zaal
  • 19:30
  • 19:30
Newsletter

Thomas Azier presents PANORAMA, a live performance combining music and images. The music is interpreted together with synthesist Annelotte Coster, saxophonist Maarten Hogenhuis, and string players Stefan Wellens and Sam Faes.

Often described as poignant, Azier’s music carries his strong melodic and melancholic sensibility further in PANORAMA, merging string arrangements and experimental practices into a series of intriguing pieces. His voice becomes an interpretative tool, shifting between male and female, human and animal, mythical and real. Songs are juxtaposed with intermissions and character changes that shift rhythm and mood, like switching channels or scrolling through an endless feed.

The performance unfolds seamlessly, music and images rarely overlap but instead relay one another in an ever-shifting dialogue. Across these disparate fragments, Azier and his musicians slowly craft a cohesive final picture, at times monumental, at times very intimate.